To begin the sequence between the main character and the boy, it begins with an establishing shot of them behind the desk where they introduce themselves. The shot then switches to a voiceover of the main character, and the shot shows the two characters staring. Here uses eyeline matching which is effective because it makes it clear to the audience they are lookingg at eachother. The consequent shots of the two characters talking follow the 180 degree rule using shot-reverse-shot, which places the audience in the action of their conversation. However, the scene also includes an insert shot of the main character placing the box on the desk, which is effective as it shows what the characters are talking about and therefore follows continuity.
My name is Ella Thompson and I am a member of Group 3. In my group I worked with Prudence Carter-Phillips (8128), Joshua Oranu-Noah (8054) and Gabriel Meytanis (8560). I have completed Brief 1: Film. To see my portfolio evidence, please click on the 3 labels on the right named AS Research and Planning, AS Construction, and AS Evaluation.
My film opening sequence
Our final opening sequence
Friday, 9 October 2015
Continuity Task 2 (BLK)
To begin the sequence between the main character and the boy, it begins with an establishing shot of them behind the desk where they introduce themselves. The shot then switches to a voiceover of the main character, and the shot shows the two characters staring. Here uses eyeline matching which is effective because it makes it clear to the audience they are lookingg at eachother. The consequent shots of the two characters talking follow the 180 degree rule using shot-reverse-shot, which places the audience in the action of their conversation. However, the scene also includes an insert shot of the main character placing the box on the desk, which is effective as it shows what the characters are talking about and therefore follows continuity.
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AS Classwork
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